Wildlife PhotographyTalk at Selby Camera Club

Thanks to everyone at Selby Camera Club in Yorkshire for making me feel so welcome as their guest speaker. I thoroughly enjoyed the talk and was really pleased with the comments - particularly that the intimacy and connection of wildlife to its environment really came across in the pictures. That's what I strive to do, so it's great when this is recognised. It only makes me even more determined to get closer to wildlife and capture truly special moments in nature...

http://www.naturephotographycourses.co.uk     http://www.paulmiguel.co.uk

New Photography Workshops Website on the Way!

Finally I am getting close to finishing my new website for photography workshops. As I am running an increasing number of workshops I decided to design a brand new website dedicated purely to this part of my photography business. This will include similar landscape courses to those I have run in the past along with wildlife: upland birds, woodland birds and birds of prey. I've also added some new subjects including water voles and red deer, plus a very affordable half day landscape photography course which includes a twilight shoot. The website will also include a client gallery consisting of many images taken by participants on different workshops.

The new website should be up in the next couple of weeks and will be at www.naturephotographycourses.co.uk

My current website will still be online and will also have a bit of a facelift, with new pictures.

To Photograph Wild or Captive..??

The subject has been written about many times - by many amateurs and professional photographers alike. Is it right to photograph captive species..? Personally I don't think the question should be: is it right; but rather - what's the reason for doing so.? Yes, I have spent a fair number of hours photographing captive species, including falcons, hawks, owls, hedgehogs and red squirrels. These subjects are constantly in demand, and as a professional wildlife photographer I need to have them on file. In fact, my reason for shooting these types of images is often not in the expectation that they will sell as invidual pictures, but rather in their use to illustrate my written articles on nature. In this way I guess it's more of a journalistic approach. I'm not naive in the reality of just how many of these pictures are available, so I know that it will take some luck for one to find its way onto a greetings card or calendar.

This brings me to my main point: just how sensible is it to shoot these images in the current climate.? Do a picture search with any photo libary and you'll find page after page of red squirrel, goshawk, red fox and the like.. So, yes these images are saleable - but where does it go from here..? As these types of images become increasingly common, they begin to lose impact; and there is a crucial part of the image missing - the story. For these images, there is no story - no background, no preparation, no tale of discovering a wild animal and working the site to finally achieve that special image. For me, it's not just about the ethics of shooting captive - it's simply about the surrounding story of how those images came to be. I make no apologies for photographing captive species and no doubt I will continue to do so on a relatively small scale. But I honestly believe that the future is in story-telling. Things often come full circle (look at some of the clothes out there these days) and photography is no different. Editors and readers are always looking for something new - and I think that the 'new' future will be once again in photographing completely wild animals in their natural habitat, and the stories of how photographers achieved the images.

This recent roe buck image illustrates my point pretty well. I could have photographed roe deer in captivity but would never have been able to capture the animal in this natural setting of a wild buttercup meadow. Shot in captivity - once asked how I got the shot, my answer would have been: "I turned up, used a telephoto lens, made the most of the light and composed the shot...oh, and I paid some money too.."

So how did I get this roe buck..? Answer -"I've been watching a group of roe deer for the last 3 months. I arrive at 5.00am and reach my usual check-point wearing camouflage. I spot a buck and hind towards the far end of the buttercup meadow and contemplate going for the stalk. The decision to stalk is made by weighing up the benefits of extra stability (stuck in one position) against potential camera shake (hand-held stalking). In this light I can use ISO 200 and get 1/1000 second - but I need to get damn close with a 300mm lens! I manage to get to the opposite side of the hedgerow in the adjacent field - there's plenty of cover, but it's a true crawl all the way. What the hell! In wet grass, I crawl around 50 yards trying to make zero noise all the time. I stop and look up. They're still there. Just get past these bushes and I'm close enough... My camouflage hood has netting with various grasses stuffed in to break up my outline, so I should be o.k.. The female has disappeared, but the male's still there making his way to the corner of the field. There's a barb wire fence in the way.. so I have to rise higher to get a clear shot. One click... the buck doesn''t even seem to notice! He moves forward and now the shot's there. I compose with the deer looking into space and have no option but to use the out of focus hedgerow as foreground. A couple more shots - perfect!!"

I'll continue to concentrate on wild subjects and have a story to tell. There are many pictures out there - but there are also many, many more that have never even been taken. It's only by putting in the time and gaining the knowledge that these will come about.

A great many thanks to Andrew and Fiona for allowing me the opportunity to watch and photograph these fascinating animals on your land.

Photography Contract with FLPA Picture Library

I have just finished getting together my first photography submission for FLPA which offered me a contract just a couple of weeks ago. FLPA are one of the top natural history picture libraries in the UK, reaching a wide range of clients in the editorial, commercial and advertising world. I am delighted to be one their nature photographers and will be submitting new material on an ongoing basis. It's been a long time since my last blog post, so new wildlife/landscape photography posts to follow very soon... I promise..!

Woodland Birds Photography Courses

My wildlife photography courses for 2011 can now be booked via my website http://www.paulmiguel.com/ The woodland birds photography course is filling up quickly already so early booking is advised! The workshops take place at Golden Acre Park and Adel Dam near Leeds. We will be photographing the incredibly tame birds there including three species of tit, chaffinch, nuthatch, blackbird... and Jay! Adel Dam also offers a good chance to see kingfishers along with possible roe deer and fox. Further details at Bird Photography Courses

Other nature photography courses are available including: birds of prey days, bluebell woodlands, yorkshire dales birds.

Nature Photography Workshop Fairburn Ings

Yesterday's nature photography workshop at Fairburn Ings, Yorkshire went really well. I thoroughly enjoyed it. The group was full and I think everyone enjoyed the day's photography. Some of the group's nature photographs can be viewed at my wildlife and landscape photography group on flickr Yorkshire Wildlife and Landscape Photography - thanks to those who uploaded their images. There are some cracking close ups including dragonflies, butterflies and moths. We even had a pair of common blues mating which really made the day!!

Photography Competition - Best of Yorkshire's Summer

I have recently been asked to judge a photography competition for Disability Action Yorkshire - the theme is "The Best of Yorkshire's Summer". Images can be of anything as long as they depict summer and are taken within Yorkshire. Disability Action Yorkshire is a charity and social enterprise providing services for disabled people, so all funds will go towards helping those with disabilities. You can get more information from their website at
www.disabilityactionyorkshire.org.uk/about.asp

There are some good prizes on offer and the winning image will be published in Photography Monthly magazine. Why not have a go and help a worthy cause at the same time. If you want some tips and techniques then why not browse this blog, or check out some of my articles:
http://searchwarp.com/swa349029.htm
http://searchwarp.com/swa349034.htm

A Ton of Food - and a Ton of Birds

The last couple of months have been fantastic at my feeding station. The cold weather kept the birds coming in and it was particularly busy. Up to 5 species of tit came to feed, with the marsh tit a fleeting but welcome visitor. I've been through numerous perches: hazel catkins, alder, lichen covered branches, logs, and stumps - all to provide interesting perches for the birds. The good activity also provided excellent opportunities for those who came on my bird photography courses to photograph the birds.

Light levels sometimes made life difficult, but although difficult to obtain a truly sharp image, the resulting detail and colour remind me just how useful this lighting is - I would shoot in this light all the time... if it were possible! Fast moving birds just don't really allow this..
This year was particularly good for woodpeckers. Both male and female quickly took to my 'woodpecker feeder' and it was rare not to see one during a session in the hide. They can become wonderfully comfortable once they get used to the food, and are completely used to the camera shutter. At times they simply clamp themselves onto the food and clear the lot. It's such a privilege to watch these birds at such close quarters... On every woodland bird photography workshop I ran, everybody managed to get a shot of this colourful and vibrant bird.
As always, I strive to capture something a little different, whether it's unusual behaviour or a creative setting and backdrop. With this in mind I used a fallen sweet chestnut (kept in the freezer) and filled the inside with fat ball mixture in order to add some shape and colour. The resulting images are perhaps a little too set up, but experimenting is always worth a try, and it allows you to make those extra tweaks and changes that eventually might just lead to that 'perfect shot'..

Next year I hope to run the same nature photography course at the same location.

Long Tailed Tit image Highly Commended

My image of a long tailed tit braving a snow storm was recently highly commended in the 'International Garden Photographer of the Year' competition. Thousands of entries came from all over the world for this prestigious competition. It is particularly satisfying to see a common British species make it this far. The image is without doubt one of my favourites from last year, and it goes to show that making that extra effort can make all the difference, whether it be lighting, composition or weather conditions...

Click on the link below to see my image along with the other commended photos.

www.igpoty.com/competition03/gallery_LifeGarden_6.asp?parent=gallery

More Birds from the Cold Snap

Taken over the last few days of snowfall...

Photographing birds in the snow is great fun, but actually shooting whilst snow is falling can be a real challenge. In order to protect my camera, I used a home-made sleeve on my lens, with a waterproof cover over the top. Even so, it can be tricky to keep everything dry. These shots were taken on a beanbag using a tree stump as support. The difficult part is getting sharp images: some were taken at ISO 200 but at times the light levels were so low that I had to push up to ISO 400, which I try to avoid. Still -sharpness should always be the foremost consideration. Shutter speeds were often around 1/250 although I have found it possible to get sharp images even down at 1/60 - but it reduces your hit rate a lot.. The beauty of many of these pictures was the blanket of snow acting as a giant reflector and bouncing light back to illuminate the underside of the birds. The other tip is - take a lot of pictures..! In just a couple of hours I shot over 150 images.. this is not unusual..!

Winter Jays

The last few days have been simply glorious, with one of the coldest December weeks we've had in years... must be all that global warming I presume..? Heavy snowfall is one of the things I live for, and when the forecast comes, I make sure that I'm ready. From thermals to hats and gloves, and making sure batteries are charged... there's plenty things to get in order, and then there's the question of: "what do I photograph?" In answer to that question, I decided to endulge myself in pure wildlife photography. So it was back to the park to capture some more birds, and hopefully get some classic jays amidst snowflakes. These shots were taken on the first day of snowfall over 3 or 4 hours. Yes, I was cold by the end of it - but the pictures more than make up for numb fingers and toes. Enjoy...!

Clockwork Kingfishers

Location is the key for so many wildlife shots, and these kingfisher images are certainly proof of that. My friend who works at my local RSPB reserve had told be about a pair of kingfishers that were regularly fishing from the beck - often along the same short stretch, providing incredibly close views. I was more than delighted when my first morning provided a number of kingfisher sightings at fairly close range, but not quite close enough to photograph. My second visit was similar, but you can't fail to be overjoyed at watching these birds - and the fact that they were so regular made it even more amazing. The kingfisher was never away for more than about 15 minutes, and every time it was back to one of the same perches... you could almost set your watch by them..!It was third time lucky for these pictures, when one beautiful frosty morning, this female kingfisher decided to perch on just about the only clear branch close enough to photograph. I saw her heading for the perch and was ready. The next few seconds were manic as I fired off exposures, bracketing and re-composing to make sure I didn't end up with the miss of the year!! She stood still... posed, turned around, posed again and then finally flew off. A stunning experience - whether with or without a camera.!

A Morning with the Jays

Like most of the crow family, jays are usually shy birds, and not known for coming close to humans. But, as is the case with so many species - there are often places where various birds have become accustomed to people and are verging on the tame. My local park is no exception, and here there are often 2 or 3 jays that are attracted to a feeding area amongst the smaller tits and finches. Photographing Jays is at such close range is a wonderful experience, and I still can't believe just how confiding they are. They have literally been within feet of me when hoovering up peanuts!


On this particular morning there were 3 birds coming down to the food, and an old oak tree made a perfect vantage point for them. So for me, it was simply a case of throwing handfuls of nuts around the bottom of the tree and waiting for them to come in. Luckily, there are various tree stumps that make spot on supports for a camera and beanbag. It didn't take long before I got one jay perching in the oak - a classic portrait of a bird that is particularly fond of acorns and therefore has a true relationship with this tree..

Bringing Nature Indoors

For the last few months I've been on the lookout for anything to do with Oak trees. Full tree portraits, leaves, tree bark and associated wildlife all make useful images that build up a portfolio of possibly our most important native tree. One particular old oak at my local farm was showing some good change in leaf colour and I spent an hour or so shooting various leaves. Also quite obvious was the multitude of little flattened spheres that were clustering on almost every single leaf. These are known as oak galls, caused by the eggs laid by insects - in this case most likely the gall wasp. They provide nutrition for the growing larvae, and eventually amass into rather large growths - in some cases bigger than the acorns.

It quickly became apparent that this was a very useful subject to photograph, but with the wind picking up I decided to pick a selection of leaves and take them home to shoot indoors. Once at home I used a technique that I've seldom tried... simply taping the leaf to the window and using soft backlighting to illuminate the branching veins and colours.

As is always the case with close up photography, the most demanding aspect is picking the composition. I tried a number of shots: some I concentrated on veins and colour, whilst for others I focussed my attention on the fascinating oak galls. This is quite a relaxing way to photograph, and taping to the window means quite comfortable shooting too. Using a shortish lens with a 31mm extension tube allowed me to fill the frame. A tripod and remote release was of course essential. Aperture wise I shot at around f11/f16 which maintained depth of field but also kept good optical quality for sharpness. I always feel that backlighting in this way is ideal for plant detail, as it brings out those amazing patterns so much better, due to its translucent nature.

A family of hedgehogs

Hedgehogs are one of those creatures that I just haven't managed to photograph so far, so imagine my excitement when I was told of a local lady who had a whole family in her care. These animals were amongst a number that had been taken in by a wildlife refuge.. cleaned up and looked after - before eventually being returned to the wild. This provided an amazing opportunity for me to endulge in some 'easy' and enjoyable photography, and to get to experience such a beautiful animal close up. I was first introduced to 'Hogrid' - an impressive adult with serious bulk. Ready with the camera on the ground, we simply put him down and let him wander the garden.

One thing was for sure - hedgehogs can move pretty quickly when they want to, and I had to be quick to shoot before he got too close to my lens. After a few images of this veteran animal, I turned my attention to two of the younger hedgehogs which were happily mooching around, and managed some pleasing shots of them with the older hedgehog. Using a wide angle lens was quite interesting as I could put them in the garden setting..

Finally, the tiny ones came out - and five of them! These hedgehogs were smaller than I had imagined, but absolutely beautiful. It was fascinating to see so much detail, such as the colouration of their backs, and their tiny feet and claws. The youngsters were a delight to photograph and it was hard not to admit to their 'cute' factor.

In a way, hedgehogs are a very forgotten animal - maybe because we rarely come across them anyway due to their nocturnal habits. It's hard to believe that this delicate, placid mammal is now under serious threat, but their numbers have plummeted. Those who get to hear their familiar bumbling and snuffling are indeed lucky to have such a visitor.

Yorkshire Wildlife & Landscape Photography Workshops

I am currently planning my workshop programme for next year, which will include some new subjects and locations. I have recently agreed on a beautiful location for a couple of photography courses on plants, butterflies and dragonflies - in a semi-private bluebell wood near to Wetherby. Fingers crossed - I may also be able to provide a workshop for guaranteed red squirrels..! The birds of prey photography workshops continue to be very popular and are great fun. They are also an ideal way of practising your skills in wildlife photography.

I have recently set up a group on Flickr: Yorkshire Wildlife and Landscape Photography for participants of workshops to share their images. This is a great way to show people how we do things, and what pictures are possible. Here are just a couple of my images from past bird of prey courses in North Yorkshire.

The Mirage of the Meadow

The last few months have been great for wildlife photography - and if I haven't always bagged the shots I wanted (on numerous occasions), I have at least witnessed some wonderful sights and revelled in the sheer joy of watching our British wildlife. Back in March I saw my first water vole, followed by another sighting last week. These squat little mammals are magical creatures, and I am figuring out the best plan to optimise potential images... it may take a while! I have had a number of other sightings too, including baby long tailed tits, running roe deer, a family of red grouse, and a mid air scrap between a sparrowhawk and heron..! But there is one experience which for me tops them all, and one which has left me both exhilarated and inspired...

It was two summers ago when I first witnessed a short eared owl on the local farm. Watching from the roadside, I couldn't quite believe what I was seeing, as this stunning bird methodically quartered the meadow in broad daylight. After this sighting, I never saw the bird again... until a couple of weeks back that is. Again the bird looked like it had been there for ever, as it repeatedly quartered the fields and flew around the hedgerows. A few evenings later, from the edge of the field, I was witnessing the same thing yet again, although on this occasion I was much closer. Camera in hand, I made my way slowly forward, keeping low in the grasses thinking, "there could be a grab-shot here." However, no sooner did I realise the bird was out of view, than a huge flying owl was virtually upon me. With purposefully direct flight, I watched the owl zip over my head, complete with hanging vole in tow. Instinct told me that I might be able to watch this bird at closer range. My 'roe deer' hide is situated at the edge of the buttercup meadow, and it was over this exact field that the owl was hunting. Knowing that owls can be creatures of habit, and thinking that this day might just happen to coincide with an abundance of voles for some reason, I headed for the hide...

In my hide I was now completely hidden, and perfectly situated at the field edge, should the owl return. Sure enough, my instincts were right, and within less than ten minutes the short-eared was back. It was clearly favouring this one buttercup meadow. I watched in amazement as the bird repeatedly quartered the meadow, covering almost every inch of ground. I was surprised to see just how agile the owl was, being able to change direction incredibly quickly and even do a good job of hovering at times. Every so often the bird would switch direction and disappear from view, as it dropped into the buttercups. The hit rate for this bird seemed impressive, and I watched it catch three voles in less than an hour, before making a bee-line across the hedgerow (surely a nest somewhere...)
This was a memorable experience to say the least. Photography wise I managed some pleasing flight shots - a little far away, but they did show the evironment well. That high impact flight shot with lovely back-lighting above the buttercups just didn't materialise... but the experience pretty much made up for it. This would have to go down as one of the the 'wildest' experiences I've ever had. To watch this wild bird of prey so intimately, and truly at ease, was indeed a privilege.

And what since that wild encounter..? Well, just like the previous years... the owl now seems to have completely vanished - just like it was never even there. I could be forgiven for thinking that I dreamt it... but this time I have the pictures to prove the owl is real!

Photography Contact Awarded by Natural England

I am thrilled to say that I have just been awarded a contract as a photographer for Natural England, the environmental body that advises the government. I am one of a group of professional photographers chosen throughout the country to provide imagery. The competition was fierce, and the application procedure one of the most thorough I have ever seen. I am looking forward to my first assignment, whatever it may be.

Photography wise I have just finished another article for Yorkshire Ridings on upland birds which will appear in the July issue. A recent walk that I led in a West Yorkshire woodland proved both enjoyable and productive, with a lot of interest in my work - and I captured some new images of bluebells and early purple orchid, along with general woodland scenes. I also photographed the lighting of a charcoal burn which the local wildlife group does every year in order to make use of felled trees. It was quite something to watch - if a little toxic!

A recent badger watch proved interesting. After 2 hours of waiting silently, it seemed that my badgers were once again proving awkward by not showing themselves. But to the right of me I could hear movements in the undergrowth - and it sounded like something of size. It was another half hour or so before I got a glimpse. After mentally going through every mammal I could think of, it suddenly became obvious what the scurrying animal was... a beautiful and tiny fox cub. Soon joined by another, the 2 cubs continued to make a racket as they ran around the undergrowth and scratted in the fallen leaves. This was a lovely sighting, but not as good as what happened a few minutes later... as I sat quietly in the faded light I could just make out one of the cubs in the distance along the path, and his next move was to come bounding straight towards me, perfectly happy as he literally ran past my boot!! Obviously these cubs don't know to be scared of me yet.. Hopefully they won't grow up to quickly, and I may be able to get some images by putting out food. The surroundings are beautiful at the moment, with bluebells and red campion making a great setting...

Frustrating Mammals

The last few weeks have been frustrating ones. Amongst other subjects I have been trying to capture decent images of an animal that I have never got close to. They are roe deer. Having seen them from a distance, and having erected a permanent hide at what I thought was the perfect spot, they still continue to elude, surprise, and just downright baffle me. Although frustrating, they are fascinating creatures. I have now been lucky enough to see them at much closer range, and watch a range of behaviour from 3 does and 2 bucks.

This image shows a somewhat lucky encounter with roe deer on a morning of thick fog.

This was a truly wild encounter and one that will stay in my mind for ever. At around 7am I entered this meadow, and through the fog, the unmistakable shapes of 3 roe deer suddenly appeared. With little option, I ducked down and stayed low whilst slipping on my camouflage hood and positioning my beanbag and rucksack. Slowly, one of the does got closer and closer, picking her way through the wild grasses, until eventually she reached a little clearing. Forced to to use manual, I focussed quickly and fired the shutter, managing just 2 shots. She looked in my direction - paused... then turned round and trotted off. The combination of the long grasses and thick fog make this quite a special image. It also makes me think how some of the best wildlife images are truly wild ones - uncontrived, completely natural... and a snapshot in time from a wild animal amidst its natural landscape.

As I write this, I am about to check the wind directions for the next couple of days. A westerly wind and I will be in my new hide - downwind of the deer, and in a spot that should see them walking straight towards me. Fingers crossed! If that doesn't work, then there's still the recent addition to the farm that may be 'photographable'. A beautiful short eared owl that seems to have taken to quartering the meadow - even in broad daylight...

The Snow that Was..

Finally I get round to posting this blog - this should really be February's post, but with one thing and another it's now mid-March... Anyway, the main action in February was at the feeding station, with cold weather bringing in good numbers of birds... and yes, I was lucky enough to make the most of that incredible snowfall - the best I've seen in years! Although I only managed one day in the hide whilst the snow was still falling, I was able to get some cracking winter images of long tailed tits braving the blizzard - with a nice stem of red dogwood as the perch - giving a much needed splash of colour.


This is one of those images I never get bored of.. and I've learnt something new - long tailed tits actually have a yellow eyelid - something you'd never see unless you photographed them up close.

The woodpecker has been a real star too - or should I say woodpeckers, seeing as there have been both male and female down to the food. One of them has slight reddish feather on the top of the head, so I'm thinking this might be one of this year's youngsters in its first winter.This is one of the first images I got from the hide -

Time to tail of the food soon, although I may try putting out some nesting material in place of the food for some behavioural shots... With a project as satisfying as this, it's certainly difficult to tear yourself away..!!

Next few week should see more trips to the dales, and hopefully some new frog/toad images - fingers crossed...