Photographing Insects - Hand-held Photography

In terms of wildlife, insects are probably my least photographed subject, so this year I really wanted to try and get some decent images - namely butterlies, dragonflies and bees.A recent trip to a nature reserve proved to be a little quiet for butterflies and dragonflies, but there was a good number of buzzing bees and hoverflies to practice on.

There are different techniques when it comes to insect photography: some photographers prefer to search for their insects early in the morning and get up close whilst they are still resting. This approach is great - if you can find the insects roosting! The other method is once its warmed up - by waiting by a productive spot, then capturing the insect as it visits a flower head or returns to a favoured perch. Whichever method you choose, insect photography is a real challenge. Shoot at first light and you can find yourself with very low shutter speeds - and moving in a tripod can easily disturb the subject. Photograph later in the day and you almost certainly have increased breeze, along with much more active subjects making them difficult to track. Lighting is an issue too: once the sun is high in the sky, the light becomes too harsh for my liking. After a couple of days photograping the same patch - I think I've decided my prefered technique. The best conditions, I believe, are warm days with high cloud. This gives good quality of lighting whilst still giving you reasonably fast shutter speeds. In addition - the insects seem to slow down, as opposed to a day of bright sunshine. On one particular afternoon the light was rather overcast, but it was still very warm. The many bees, hoverflies and gatekeepers were still active, but they definitely seemed to show slower movements, making it much easier to get close.

 Hand-holding the camera is simply the best option in this kind of situation. Even if you are waiting by a favoured patch of flowers, you never quite know where the insect will land - and you may want to adjust your position for a better composition. Rating the ISO at about 400 can give you an aperture of around f8 with a shutter speed of around 1/250 if the light is right.

 These images were taken in more overcast conditions with shutter speeds down to 1/100 second in some cases. Even then - with little breeze, a lot of care and continuous firing, I was able to gain some pin sharp images which proves that it is possible to capture insects without extremely fast shutter speeds - and hand-held.

My first Water Vole Photos!!

This morning was incredibly exciting for me. It was my second visit to a water vole site, and one that is excellent for photography. I've wanted to photograph these little mammals for ages, so to find such a workable spot is a dream come true; and it's only 20 minutes drive away..  The voles seem fairly active, and although I've only seen one at a time, I definitley saw different individuals.

They are a delight to spend time with. I had some views so close I couldn't quite believe it - and I was lucky enough to watch some natural behaviour too. I love to watch them swim - it's funny watching them with their heads above the water - but boy can they shift..!  Hopefully back tomorrow morning and then I will see what I can get over the next couple of months. Can't wait for some good light and beautiful reflections - that will really make the shots work..

Wildlife Photography Techniques: stalking mammals

I've recently spent a lot of time stalking a variety of wildlife including roe deer, brown hare and red fox - so here are a few tips that I've learnt that can make all the difference in getting closer:

1. Research your subject: not all animals have the same senses or see in the same way. Roe Deer for example see in monochrome - their sight is much more sensitive to movement and human outline.

2. Camouflage hoods are great, but it's still worth adding extra camouflage to break up the outline of your head. Stitch in green netting which can be stuffed with various grasses, bracken and even branches to make your head as un-human as possible.

3. Be aware of ground cover. Smaller mammals can be well concealed in summer - so you might need to keep a check with binoculars as you approach to be sure you're not being seen.

4. Stay low. It's hard work but keeping close to ground level is the best way to ensure you're not spotted.

5. Use AV mode so you don't have to worry about changing light as you get closer.

6. Try to use sunny days so you can use faster shutter speeds and hand-hold. Tripods/monopods can be very impractical in stalking situtations.

Hopefully off to try for my local short eared owl again this evening... fingers crossed!!

To Photograph Wild or Captive..??

The subject has been written about many times - by many amateurs and professional photographers alike. Is it right to photograph captive species..? Personally I don't think the question should be: is it right; but rather - what's the reason for doing so.? Yes, I have spent a fair number of hours photographing captive species, including falcons, hawks, owls, hedgehogs and red squirrels. These subjects are constantly in demand, and as a professional wildlife photographer I need to have them on file. In fact, my reason for shooting these types of images is often not in the expectation that they will sell as invidual pictures, but rather in their use to illustrate my written articles on nature. In this way I guess it's more of a journalistic approach. I'm not naive in the reality of just how many of these pictures are available, so I know that it will take some luck for one to find its way onto a greetings card or calendar.

This brings me to my main point: just how sensible is it to shoot these images in the current climate.? Do a picture search with any photo libary and you'll find page after page of red squirrel, goshawk, red fox and the like.. So, yes these images are saleable - but where does it go from here..? As these types of images become increasingly common, they begin to lose impact; and there is a crucial part of the image missing - the story. For these images, there is no story - no background, no preparation, no tale of discovering a wild animal and working the site to finally achieve that special image. For me, it's not just about the ethics of shooting captive - it's simply about the surrounding story of how those images came to be. I make no apologies for photographing captive species and no doubt I will continue to do so on a relatively small scale. But I honestly believe that the future is in story-telling. Things often come full circle (look at some of the clothes out there these days) and photography is no different. Editors and readers are always looking for something new - and I think that the 'new' future will be once again in photographing completely wild animals in their natural habitat, and the stories of how photographers achieved the images.

This recent roe buck image illustrates my point pretty well. I could have photographed roe deer in captivity but would never have been able to capture the animal in this natural setting of a wild buttercup meadow. Shot in captivity - once asked how I got the shot, my answer would have been: "I turned up, used a telephoto lens, made the most of the light and composed the shot...oh, and I paid some money too.."

So how did I get this roe buck..? Answer -"I've been watching a group of roe deer for the last 3 months. I arrive at 5.00am and reach my usual check-point wearing camouflage. I spot a buck and hind towards the far end of the buttercup meadow and contemplate going for the stalk. The decision to stalk is made by weighing up the benefits of extra stability (stuck in one position) against potential camera shake (hand-held stalking). In this light I can use ISO 200 and get 1/1000 second - but I need to get damn close with a 300mm lens! I manage to get to the opposite side of the hedgerow in the adjacent field - there's plenty of cover, but it's a true crawl all the way. What the hell! In wet grass, I crawl around 50 yards trying to make zero noise all the time. I stop and look up. They're still there. Just get past these bushes and I'm close enough... My camouflage hood has netting with various grasses stuffed in to break up my outline, so I should be o.k.. The female has disappeared, but the male's still there making his way to the corner of the field. There's a barb wire fence in the way.. so I have to rise higher to get a clear shot. One click... the buck doesn''t even seem to notice! He moves forward and now the shot's there. I compose with the deer looking into space and have no option but to use the out of focus hedgerow as foreground. A couple more shots - perfect!!"

I'll continue to concentrate on wild subjects and have a story to tell. There are many pictures out there - but there are also many, many more that have never even been taken. It's only by putting in the time and gaining the knowledge that these will come about.

A great many thanks to Andrew and Fiona for allowing me the opportunity to watch and photograph these fascinating animals on your land.

Photographing Upland Birds

I recently had an amazing few hours on the moors above Grinton, photographing four different species of bird - all within a couple of hours. Lapwings, red grouse, curlew - and my first ever Golden Plover (!) all came within yards of the car. A perfect morning of wildlife photogaphy.

This was my first photo shoot of the morning - a beautiful lapwing chick that ran around the grass, every now and then peeping out and posing beautifully for the camera.

Summer offers good opportunities for young birds, such as this grouse family that bumbled along the heather close to the roadside. I had about twenty minutes with these birds, watching the chicks clambering over the heather - overseen by the parents all the while. The lighting here was just fantastic: the sun was now stronger so I shot towards the light and used a diffused flash for fill-in. I'm a big fan of this kind of lighting - and it worked so well here.

Probably my favourite encounter was with this curlew - partly because a good image of this bird has eluded me until now. Usually curlews are flying away from the car: this one was running towards me..! I couldn't believe my luck when it stood on a mound and posed perfectly... pure magic! I had a number of chances as the birds did circuits around my car, running behind me then flying in front, scuttling around and calling constantly. The light was lovely too - soft backlighting which is fast becoming my favourite type of light for wildlife photography... it gives a wonderful quality that I think highlights the delicacy of so many birds and animals.

This day had to be one of the best wildlife photography sessions ever - I can't wait to return! Definitely worth the 4.00am start!! Evenings would be great here too I imagine, but nothing quite beats the stillness and serenity of early morning, punctuated by the evocative calls of the upland birds on this Yorkshire Dales moor.

As part of my wildlife photography workshop programme for next year, I'll certainly be including this location - and with further visits, I'll know the best spots too.

Photograping wild Peregrine Falcons in Yorkshire!

Yorkshire has some truly fantastic sites for wildlife photography, but perhaps none quite as exhilarating as Malham Cove during the breeding season. Last Friday saw me on top of the cove watching a pair of wild peregrines flying against the perfect deep blue sky. These kind of mornings are what gets the blood flowing... truly inspiring... a special wildlife spectacle, played out in a majestic landscape. Peregrines have nested on the cove for the last few years, and whilst they are protected near the nest by law, here it's possible to photograph them from the public footpath.

These flight shots have only had slight cropping - showing just how close the peregrines can be! All were shot with a 300mm lens and 1.4 converter. I always think that trying to use a tripod or monopod is just a waste of time... these birds are so fast that you really need to handhold to follow them effectively. Still, it's tough..! A peregrine can be on the other side of the valley one minute and then right above your head the next. These images were taken on ISO 400 at shutter speeds between 1/1250 and 1/2000 of a second. I slightly decreased the aperture for some to increase depth of field - which seemed to improve the image a little.

Watching these birds drop like a stone then rise steeply above the cove is an incredible experience. I had a number of chances as both birds performed against the crystal clear blue sky - lit by bright sun.

The conditions were just perfect, and I'm itching to get back before the young fledge. Last year I pretty much missed the whole thing, so I'm more than happy to have these shots in the bag..

Next year I am planning to run a workshop concentrating on the bird life of Malhamdale - to include the peregrines. If you're interested in this wildlife photography workshop then send me an email or give me a call. It's certainly one of the most exciting wildlife shoots you'll ever have!!

Birds of Prey Photography

Our recent Birds of Prey Photography Workshop proved just how imporant finding the right location can be. We're lucky enough to have access to acres of Yorkshire farmland, and the mixture of habitat is perfect. Old buildings and barns are ideal for little owl and barn owl - not to mention two wonderful open windows which our barn owl is happy to fly through for photography! The surrounding landscape is also beautiful, including barley fields during the summer, and a pine plantation that provides natural settings for long eared and eagle owl. Here's just a few images from the last bird of prey workshop.

This farm near to Masham will be a regular location for our birds of prey photography courses. Images taken by clients can be viewed at Yorkshire wildife and landscape photography. To see other workshops in Yorkshire visit nature photography courses

Bird of Prey Photography Workshop - Farm buildings and barns

I still have places remaining on the 14th May Birds of Prey Photography Course. The workshop takes place on a rural Yorkshire farm; we will be using the buildings, barns and variety of farm machinery, along with other natural perches to photograph barn owl, little owl and kestrel. We will also be shooting a stunning male goshawk in the surrounding countryside. Click here to see previous images from these birds of prey workshops in north Yorkshire. These days are ideal for anyone with an interest in wildlife photography who wants to practice and develop their skills.

Photography Contract with FLPA Picture Library

I have just finished getting together my first photography submission for FLPA which offered me a contract just a couple of weeks ago. FLPA are one of the top natural history picture libraries in the UK, reaching a wide range of clients in the editorial, commercial and advertising world. I am delighted to be one their nature photographers and will be submitting new material on an ongoing basis. It's been a long time since my last blog post, so new wildlife/landscape photography posts to follow very soon... I promise..!

BBC feature on Paul Miguel!

I was recently interviewed by BBC Leeds for a website feature on winter wildlife photography. Click: Snow is Good News for Wildlife Photographer to see the article on the BBC Leeds website.

The conditions continue to be amazing here in Yorkshire... today with the most stunning and widespread hoar-frost I have ever seen. Hopefully there will be a good few more days of opportunities for sub-zero photography with plenty more snow and ice.!

Best wishes to everyone for Christmas and the New Year.

Wildlife Photography Competition Finalist!

Another successful competition entry! This time in the Wildlife Extra wildlife photography competition. Click Here to view my image and other finalists. Unfortunately I didn't manage to win the birds category but still pleased to have got so far.

The photo was shot at Adel Dam nature reserve near Leeds, a Yorkshire Wildlife Trust reserve. It was taken from the lake-side hide early one summer morning. Herons are often present, as are kingfishers. Foxes and roe deer are regularly seen at the woodland edge and this was the second time I had seen at least one fox snoozing close to the lake. I followed this particular heron as it waded through the water in changing light. As it neared the foxes I expected a stand-off; instead both foxes and bird carried on regardless, providing this unusual wildlife image. I think both knew where they stood: the heron was safe enough in the water and the foxes knew the heron was aware of their presence... or perhaps the heron was a bit too big to tackle. !

Image shot with Canon 20D; 300mm lens plus 1.4x converter; f5.6 at 1/320; ISO 200; beanbag

Winter Photography Techniques

The current conditions give some incredible opportunities for photography. That said - it requires a lot of effort and planning to take perfect winter shots, so I thought I would post a few tips... not just the ordinary, but those little things that help me during the depths of winter.

1. BE PREPARED! Don't get caught out: think about clothing, keeping your gear dry, your phone charged...and are you prepared if you get stuck..?

2. Whilst driving, keep those extra socks warm by putting them in your pockets or stuffing them under your jumper..

3. Have some food with you: small but light; pieces of cake, flapjacks and chocolate are good ways of keeping your calories up...

4. Keep batteries warm - keep spare batteries in on your person (preferably inside pockets) - the warmth will help. Have at least 2 or 3 batteries as the cold can zap their strength quickly...

5. Make a waterproof covering for your camera if photographing in the snow. I have a sleeve made out of old waterproof trousers to cover my camera and lens when shooting wildlife in falling snow or blizzard...

6. Safety first. If the road looks too dodgy to drive on - don't try it. You are better off finding another alternative than getting stuck in the snow and ending up with nothing.

7. BE PREPARED!!

Winter Wildlife Photography

A couple of days ago I spent an incredible morning photographing the deer at Studley Deer Park near Ripon, as part of a 1:1 photography day with a client. The conditions were magical and we both got some stunning shots of the deer amidst the falling snow. Some of my shots were taken at ISO 800 where I had to hand-hold. Otherwise, I was able to make use of a tree to brace the camera and then reduce the ISO. The falling snow really adds to these wintry portaits. Every so often we would see two young males without antlers - kicking up the snow as they balanced on hind legs to box one another. What a privilege to capture this on camera.!!

Certainly a memorable day of deer photography and some of the best winter wildlife photographs I've ever taken.!

Woodland Birds Photography Courses

My wildlife photography courses for 2011 can now be booked via my website http://www.paulmiguel.com/ The woodland birds photography course is filling up quickly already so early booking is advised! The workshops take place at Golden Acre Park and Adel Dam near Leeds. We will be photographing the incredibly tame birds there including three species of tit, chaffinch, nuthatch, blackbird... and Jay! Adel Dam also offers a good chance to see kingfishers along with possible roe deer and fox. Further details at Bird Photography Courses

Other nature photography courses are available including: birds of prey days, bluebell woodlands, yorkshire dales birds.

Photographing Hedgehogs

Another visit to the local hedgehog sanctuary - they don't deal in anything else: just hedgehogs. As always it's great fun to get so close to these little mammals and I spent a good couple of hours following different hedgehogs around this urban back garden. I decided to use flash photography for these shots to make them look like they were taken at night... I experimented a bit first with my Metz CL4 flashgun; quite a beast and something I've hardly ever used. I placed a clear bag over the flash to soften the lighting - and you can definitely tell the difference. I couldn't help myself where plant pots were concerned... it may look a little twee but these type of shots continue to sell. One of the most fascinating things is to see a hedgehog annointing - they bascially create a smelly saliva mixture and lick themselves. No one apparently knows why, but it's great to get a shot of it! This one adopting a great pose whilst licking..!

And my day was finally complete as I turned my head from the viewfinder to find a baby hedgehog licking my arm... I feel well and truly honoured..!! Hope to get back for some more mammal photography; I've learnt a lot from this visit about the best way to shoot them...

Birds of Prey Photography Course

Our recent birds of prey photography course was probably the best location we've used so far. We try to use new locations and different settings to provide different backdrops, whilst keeping everything looking as natural as possible. The setting for August's workshop was an old farm in North Yorkshire with barns, old buildings and gates... and beautiful rural surroundings including rolling green pasture and ripened wheat fields.
It's the perfect place to photograph barn owl and little owl in particular, with lichen covered stone walls and barn windows. We even managed to fly the barn owl through an open window numerous times providing stunning flight shots! The farm should now be one of our main locations for future bird of prey workshops.

Photographing Damselflies

Yesterday morning saw me by a sheltered pond in West Yorkshire, literally teeming with insect life. It's a recently discovered location - and one that is brimming with butterflies, moths and damselflies. The conditions started off well: a lovely still morning with intermittent sunshine breaking through the low cloud. Damselflies were just everywhere, buzzing around the spiky grasses and resting on the low growing plants that fringe the pond. I've always found it difficult to get close enough to the damselflies - they seem particularly skittish.. But perhaps they were just beginning to warm up and not quite at their full speed. Either way, I was able to get extremely close to a number of them as they rested on various perches. I shot towards the light wherever I could, hand-holding the camera and shooting at about 1/250 at f7.1 on ISO 200. As the breeze picked up, photographing insects became increasingly difficult until virtually impossible... this is one of the virtues of an early start as it's the best time to achieve the the stillness that is so important for insect photography.

A Misty Morning by the Lake

An early start this morning at 4 a.m. and another visit to my favourite patch of water near Fairburn Ings, Yorkshire - to photograph wildfowl. The early start was well worth it and I was treated to some wonderful conditions with a subtle blanket of mist hanging above the water.

Although the light rarely broke, the conditions were still good for capturing some more swan portraits. Shot from ground level, the best opportunities are typically where a single bird swims head on towards the camera. This happens frequently and there is no need to provide any food at all to coax them to perform. In fact throwing out tons of food only leads to a frenzy of birds and a loss of calm reflections... not to mention the difficulty of isolating single birds in the mellee.

I'm still waiting for that 'perfect' swan picture, but the early morning conditions made for some relaxing wildlife photography.

Nature Photography Workshop Fairburn Ings

Yesterday's nature photography workshop at Fairburn Ings, Yorkshire went really well. I thoroughly enjoyed it. The group was full and I think everyone enjoyed the day's photography. Some of the group's nature photographs can be viewed at my wildlife and landscape photography group on flickr Yorkshire Wildlife and Landscape Photography - thanks to those who uploaded their images. There are some cracking close ups including dragonflies, butterflies and moths. We even had a pair of common blues mating which really made the day!!

Photography Competition - Best of Yorkshire's Summer

I have recently been asked to judge a photography competition for Disability Action Yorkshire - the theme is "The Best of Yorkshire's Summer". Images can be of anything as long as they depict summer and are taken within Yorkshire. Disability Action Yorkshire is a charity and social enterprise providing services for disabled people, so all funds will go towards helping those with disabilities. You can get more information from their website at
www.disabilityactionyorkshire.org.uk/about.asp

There are some good prizes on offer and the winning image will be published in Photography Monthly magazine. Why not have a go and help a worthy cause at the same time. If you want some tips and techniques then why not browse this blog, or check out some of my articles:
http://searchwarp.com/swa349029.htm
http://searchwarp.com/swa349034.htm